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Prince William & Catherine, the bride's attire

The marriage of HRH Prince William and Catherine Middleton – Friday, April 29 2011

Catherine's wedding dress

Catherine Middleton’s wedding dress was designed by Sarah Burton at Alexander McQueen.

Kate chose British brand Alexander McQueen for the beauty of its craftsmanship and its respect for traditional workmanship and the technical construction of clothing. Miss Middleton wished for her dress to combine tradition and modernity with the artistic vision that characterizes Alexander McQueen’s work. Miss Middleton worked closely with Sarah Burton in formulating the design of her dress. Sarah Burton said: "It has been the experience of a lifetime to work with Catherine Middleton to create her wedding dress, and I have enjoyed every moment of it."

wedding_dressThe dress epitomizes timeless British craftsmanship by drawing together talented and skilled workmanship from across the United Kingdom. The dress design pays tribute to the Arts and Crafts tradition, which advocated truth to materials and traditional craftsmanship using simple forms and often Romantic styles of decoration. Ms Burton’s design draws on this heritage, additionally giving the cut and the intricate embellishment a distinctive, contemporary and feminine character.

The design

The lace appliqué for the bodice and skirt was hand-made by the Royal School of Needlework, based at Hampton Court Palace. The lace design was hand-engineered (appliquéd) using the Carrickmacross lace-making technique, which originated in Ireland in the 1820s. Individual flowers have been hand-cut from lace and hand-engineered onto ivory silk tulle to create a unique and organic design, which incorporates the rose, thistle, daffodil and shamrock.

kate_dressHand-cut English lace and French Chantilly lace has been used throughout the bodice and skirt, and has been used for the underskirt trim. With laces coming from different sources, much care was taken to ensure that each flower was the same color. The whole process was overseen and put together by hand by Ms Burton and her team.

The dress is made with ivory and white satin gazar. The skirt echoes an opening flower, with white satin gazar arches and pleats. The train measures two meters 70 centimeters (almost 9 feet long). The ivory satin bodice, which is narrowed at the waist and padded at the hips, draws on the Victorian tradition of corsetry and is a hallmark of the late Alexander McQueen’s designs. The back is finished with 58 gazar and organza covered buttons fastened by Rouleau loops. The underskirt is made of silk tulle trimmed with Cluny lace.

The fabrics

French Chantilly lace was combined with English Cluny lace to be hand-worked in the Irish Carrickmacross needlework tradition. All other fabrics used in the creation of the dress were sourced from and supplied by British companies. The choice of fabrics followed extensive research by Sarah Burton and her team.

kate_dress_backThe Royal School of Needlework

The Royal School of Needlework (RSN), based at Hampton Court Palace, assisted the Alexander McQueen team in accurately cutting out the delicate motifs from the lace fabrics and positioning the lace motifs with precision into the new design. The lace motifs were pinned, ‘framed up’ and applied with stab stitching every two to three millimeters around each lace motif. The workers washed their hands every thirty minutes to keep the lace and threads pristine, and the needles were renewed every three hours, to keep them sharp and clean. The RSN workers included existing staff, former staff, tutors, graduates and students, with the youngest aged 19.

The RSN’s work was used primarily for the train and skirt of the bride’s dress, the bodice and sleeves, the bride’s shoes and the bride’s veil.

veil_tiaraThe bride’s veil

The veil is made of layers of soft, ivory silk tulle with a trim of hand-embroidered flowers, which was embroidered by the Royal School of Needlework. The veil is held in place by a Cartier ‘halo’ tiara, lent to Miss Middleton by The Queen. The ‘halo’ tiara was made by Cartier in 1936 and was purchased by The Duke of York (later King George VI) for his Duchess (later Queen Elizabeth The Queen Mother) three weeks before he succeeded his brother as King. The tiara was presented to Princess Elizabeth (now The Queen) by her mother on the occasion of her 18th birthday.

The bride’s jewelry

The bride’s earrings, by Robinson Pelham, are diamond-set stylized oak leaves with a pear shaped diamond set drop and a pavé set diamond acorn suspended in the centre. Inspiration for the design comes from the Middleton family's new coat of arms, which includes acorns and oak leaves. The earrings were made to echo the tiara. The earrings were a personal gift to the bride from her parents for her wedding day.

Wedding shoes

The wedding shoes were hand-made by the team at Alexander McQueen and are made of ivory duchesse satin with lace hand-embroidered by the Royal School of Needlework.

The bride’s bouquet

The bouquet was a shield-shaped wired bouquet of myrtle, lily-of-the-valley, sweet William and hyacinth. The bouquet was designed by Shane Connolly and draws on the traditions of flowers of significance for the Royal Family, the Middleton family and on the language of flowers.

bouquetThe meanings of the flowers in the bouquet are:

Lily-of-the-valley – Return of happiness

Sweet William – Gallantry

Hyacinth – Constancy of love

Ivy – Fidelity; marriage; wedded love; friendship; affection

Myrtle – the emblem of marriage; love. 

The bouquet contained stems from a myrtle planted at Osborne House, Isle of Wight, by Queen Victoria in 1845, and a sprig from a plant grown from the myrtle used in The Queen’s wedding bouquet of 1947.

The tradition of carrying myrtle begun after Queen Victoria was given a nosegay containing myrtle by Prince Albert’s grandmother during a visit to Gotha in Germany. In the same year, Queen Victoria and Prince Albert bought Osborne House as a family retreat, and a sprig from the posy was planted against the terrace walls, where it continues to thrive today.

The myrtle was first carried by Queen Victoria eldest daughter, Princess Victoria, when she married in 1858, and was used to signify the traditional innocence of a bride.

Click on the links for details and photos of the bridesmaids and page boys' attire, and the royal wedding party's attire.

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